Tag Archives: Music to write to

DJ Shadow Entroducing

Entroducing – DJ Shadow
If you need to send your brain to disneyland while you sink into some seriously deep grooves this is the album for you. Either way, it’s one of those albums that changed music, and showed what was possible when an amazing DJ flexes his mixing muscles, but serves the music.

Like most great albums and ones you can work to it takes you on a journey. It starts with samples and an introduction that might make you think it’s going to be a schizophrenic musical odyssey just before you hear, “Building Steam with a Grain of Salt.” When the bass kicks in a most relaxed way, you get a feeling for the  groove that marks this album out like an albino at a tanning salon.

A mix of hip hop, samples, ambient, and light electronic. The whole album was recorded at DJ Shadow’s house, with minimal technology, before he finished it off at the studio of Dan the automator.  Now this kind of mix of genre and beats is commonplace, but at the time was a landmark of groove and production. The album is a stand out and has not aged.

Jonny Greenwood from Radiohead have cited it as a key influence on the making of OK Computer. This is an album a lot of musicians love, so it inspired a lot of the music of the late nineties. Entroducing made it bigger in the UK than the US, but has grown as a classic album beloved by many, including critics.

There was talk of it being the world’s sample only album, but there are spoken word parts  that have not come from samples. It sampled  David Axelrod, Nirvana, Bjork, T-Rex, Marlena Shaw, and Twin Peaks to name a few.

Released
1996

Lyrics
No only samples. Shadow’s aim was to make a completely sample based piece of music, and it makes do with only a few vocal contributions from Gift of Gab and Lyrics Born.

Mood
Slow groove music, instrumental hip hop, electronic

Good to work to
This is a slow groove album. One I love listening to, and takes me into a relaxed place. For listeners who aren’t used to listening to any hip hop, or sampling, i.e. Not listening to music in coffee shops, the samples may grate to some extent to some extent, but they are purely part of the musical journey, and can help provide mini-breaks or re-sets in your thinking.

Like
While this kind of album that is commonplace now, at the time it was groundbreaking. It’s  still a classic album. This genre of instrumental hip hop and house music is very main stream now. I can see aspects of this in artists like Bonobo, and lots of mood DJs like Wax Tailor. DJ Shadow takes it to a darker place.

The Artist/s
DJ Shadow aka Josh Davis is one of the world’s most influential DJs.

Other works
It’s a great mix with samples and nods to tracks such as Tears by Giorgio Moroder in Blood Donor. It leads to a lot of music, but this is perhaps what I’d see first.

The story is that after this album he realised that most of the money was going to the many people he had sampled when it was a high selling album. DJ Shadow followed it up with “The Private Press” another well received album, although his later output has not scaled the same heights as Entroducing.

Lovers of the slow groove may also like Bonobo, but Entroducing is definitely the superior album

For some reason this album reminds me of the Bitches Brew, a similarly dark cut and paste album you can read about.

He has some good albums, but his latest is my favourite  at the moment. The Mountain with Fall, a different style album with tracks with collaborators like Run the Jewels rapping on the second track.

 

Where Can I buy it, and in what formats
You can get this album anywhere. I’ve had it in multiple formats, I love my vinyl copy, but iTunes is as good a place as any to get a copy.

The Verdict
I can’t recommend this album enough, but it’s not going to work as a writing album for everyone. You’ve got to be able to relax into these grooves for it to work for you. For me it takes me to another place.

Four Tet – There is love in you

There is love in you is an up-tempo delight. Electonic fizzes, with touches of more organic sounds with a deep melodic sensibility takes you on a worthwhile journey.  While categorised as ambient electronica which it is, the whole picture is more. While not an underground album, you aren’t going to hear it on any hits and memories radio stations.

Like all Four Tet productions there is a mastery of the different frequencies displayed throughout along with great arrangements that set this album and artist apart from so many other artists in the field. Not much to say about this album, as it is a guaranteed winner no questions asked.

Released
2010

Lyrics
No lyrics, all low key beats, with some vocal samples, despite this I would not classify it as an album with lyrics.

Mood
The mood of this album is consistently cull.

Good to work to
This is an absolute cracker for those who want some low level beats with pace, but without anything distraction. I could write and encyclopedia while listening to this music, it is absolute quality.

Like
I find similarities to the minimalist works of Reich and Glass in that you feel like you’ve been taken on a thematic musical journey without any of the bumps you might expect along the road. Maybe a slice of Bonobo thrown in, but on the whole less a house music work, and more a thematic one.

I would dive into his back catalogue before bothering to explore any other artists, that’s where the gold is.

The Artist/s
Four Tet is Kieran Hebden a London DJ with serious street creed in the music world with sales to back it up. H was formerly in the band Fridge before branching out and outshining his former band. He is super popular and has collaborated with lots of big UK acts like Radiohead, Aprex Twin and Black Sabbath.

You can check out his website at
http://www.fourtet.net/

Other works
You will be spoiled for choice with Four Tet album although I rate this one as definitely the best for writing to. The other albums are also pretty good and there are a lot to choose from, but the two that have caught my ear are Rounds which has a slightly different vibe, and Morning Side his most recent album as I write this in early 2016.

Rounds whilst less thematic than There is Love in You, takes you on a journey you will find rewarding if you liked it.

Morning / Evening, is thematic in that there are only two tracks, one morning side with a touch of female Indian vocals and the other evening side. I rate this album, but like Rounds, one for those who are already on board with this one.

Where Can I buy it, and in what formats
You can find this album on iTunes and the vinyl was fairly easy to get online also.

The Verdict
Click on the link, or get on your bike down to your local record store and buy it. If you need to write, say no more, this album delivers the goods.

Julee Cruise – Floating into the Night

A great album for David Lynch fans, Julee Cruise in her greatest moment. Dream pop, calm, and sombre magical are the words for this album which created the mood for the must watch TV series Twin Peaks.

This album was created of the back of the Blue Velvet film, and used extensively for the soundtrack of Twin Peaks the television series. Angelo Badalamenti and Director David Lynch composed the music and Julee Cruise was brought in to perform the hauntingly beautiful album. Twin Peaks was a revolutionary television series with touches of the surreal based around the brutal murder of a high school girl, Laura Palmer, in a rural community.

Badlamenti was tasked by David Lynch to create ethereal music for the earlier Lynch film Blue Velvet. Cruise was selected on the basis of her participation in a Theatre Workshop that Badalamenti had produced. When Badalamenti was commissioned to create the soundtrack for Twin Peaks Crusie was the perfect choice.

 

The single was called falling and it made the Billboard charts while the album sold half a million copies.

Released
1990

Lyrics
Yes this album is a breathy showpiece. All lyrics were written by David Lynch and all music was composed by Angelo Badamamenti.

Mood
Calm and relaxed is what this album is all about.

Good to work to
Great album to relax to.

Like
Like a jazzy mood album of the past, mixed in with a dose of dark magic.

The Artist/s
Julee Cruise who sings the tracks is an actress and singer.

David Lynch the lyricist is an acclaimed film director

Angelo Badalamenti is a composer who has worked on a host of soundtracks and other musical projects

Other works
Julee Cruise did release other albums after this but it would be fair to say there is no way it could be compared to this.

What I would recommend is the Blue Velvet soundtrack. This was another Lynch Badalamenti collaboration and the first where they brought in Julee Cruise on the track Mysteries of Love. The success of this collaboration gave the impetus for the latter album. It is different as it is a more traditional soundtrack featuring the music of other artists such as Roy Obison with In Dreams and Bobby Vinton on the title track Blue Velvet.

Angelo Badalamenti was a continued collaborator with David Lynch so you might want to check out some of the other soundtracks they worked on such as the darker follow up Twin Peaks movie Fire Walk with Me, likewise other movies such as Mullholland Drive. I wasn’t able to find much of this on itunes, although I’m sure it’s there if you search hard enough. Below is a link to the official Twin Peaks soundtrack.

 

You may also like Dark night of the soul, a musical/visual project of Sparklehorse and David Lynch with a range of musicians and featuring Lynch singing on a few of the tracks. A different style to the featured album, but interesting

Where Can I buy it, and in what formats
A bit pricier on vinyl these days, but fairly cheap on iTunes and a winner from start to finish.

The Verdict
A great album, just what you need to send yo on to another world. This album definitely has a presence that may work for you.

Charanjit Singh – Ten Ragas to a disco beat

Charanjit Singh – Ten Ragas to a disco beat
Disco and ancient indian music. A strange mix that’s not for everyone, but perfect for others. With a late eighties disco electronica sound it’s been called early acid house trance before it’s time. Well, it wasn’t very successful at the time, but it has been rediscovered by a later generation.

The story goes session muso Charanjit Singh thought he’d do something a bit different. He mixes traditional Ragas with a disco beat, and the results are a trippy, trancey, disco pop eastern masterpiece, with all the hallmarks of the technology of the time.

Released
1982, re-released in 2002 and 2010

Lyrics
All instrumental with just a smidge of vocoder vocals.

Mood
Upbeat electronica, with endless Raga grooves. Put this on your mixtape and you’ll definitely spin out your friends.

Good to work to
This album has a frenetic pace and is designed to either send you mad or kick you into a higher gear. For me I love it. It works like a charm for getting my fingers skimming over the keyboard,

Like
Amongst the music I’ve written about you might think it shares most in common with Ravi Shankar’s, Three Ragas album, but I’m not so sure. It has elements of trance and electronica. I wouldn’t really compare it to any of the electronica on this site, it’s got to much of an eastern feel. If you like this you might find Kraftwerk and Lemon Jelly too bland.

For me this album has more in common with Miles Davis’s Bitches Brew than any of the albums on this site. The music has the same power to melt your head and completely go through you. With that said it takes me to another place where the worries of the day can’t touch me and I’m free in my head to put words down.

The Artist/s
Charanjit Singh was a session muso on Bollywood films and albums from the sixties through the eighties. This album first came out on cassette which was cutting edge in 1982.

Other works

You can try Experiments in Calypso his later record. I haven’t been able to find it so good luck with that. I could affiliate this with other world music, but I’m not sure it fits.

Where Can I buy it, and in what formats

You can get this album on iTunes. I found the vinyl but expect to pay a premium if you want to get it on vinyl.

The Verdict

I love this, very trippy.

Iron & Wine – Our Endless Numbered Days

I love this album, it chills me out, it chills my lady out, it chills the cat out. Like an injection of hypnotic happy flavoured valium, you won’t regret putting this album on. Iron & Wine is Sam Beam and his friends. File under calm and folk. The name Iron & Wine came from a dietary supplement called ‘Beef Iron & Wine” that he came across.

This folky album is full of finger picking, understated vocals, sweet harmonies and catchy tunes. Please, please play a sample, it won’t take you very long to work out if you like it, if you don’t move on as there is not a hidden hard rocking number anywhere in his catalogue.

Released
2004

Lyrics
Yes very laid back chilled out vocals, the guitar is probably more of the featured instrument though.

Mood
Calm with a capitol C is the way I’d describe this album. This is the album I play to defuse any tension that might be moving around the Toyota hatchback on a long drive. I don’t always find driving to be relaxing by the way.

Good to work to
I find this is a great album to strip away whatever is bothering you in the moment. It’s like he’s almost whisper singing it’s so laid back.

The guitar is very rythmic and dare I say it hypnotic. A lot of the guitaring is finger picking and at least with the way my brain works I just hook into the rythms.

Like
He’s the ultimate folky, there is a similar era latino artist with laid back vocals over the top of the guitar which he lets star. Not quite country, but in the ball park. I can’t for the life of me remember his name at the moment, but I will put in a link at some later stage when it comes to me.

But… If you like this you’ll like the two Beck albums I review that are similarly smokey in their vibe

The Artist/s
Iron & Wine a.k.a. Sam Beam and friends is an accidental musician. A track he wrote was given to a friend of his brother and serendipity set his career rolling. But that said he is a very talented man who was always goign to be discovered I hope. And he’s got a great name.

The crew on this album are

Sam Beam – vocals, guitar, slide guitar, banjo, mandolin
Brian Deck – drums, percussion, keyboards
EJ Holowicki – bass
Patrick McKinney – guitar
Jeff McGriff – percussion
Jonathan Bradley – percussion
Sarah Beam – harmony vocals, percussion

Other works
At last an artist where I can unreservedly reccomend their entire catalogue. It’s not so samey you don’t need to bother listening to it. But even though it is different it keeps the same laid back vibe which is great for writing.

It’s hard to recommend just one, so I won’t these two are great

Where Can I buy it, and in what formats
You can get this album everywhere and of course through iTunes. Also should still be available on vinyl. Iron & Wine – Our Endless Numbered Days, do it

The Verdict
An absolute cracker, why else would I write about it. I have no idea why I even keep this category in these reviews.

Vince Guaraldi Trio – A Charlie Brown Christmas

Existential cartoon kids and their dog Snoopy make TV Christmas special, bring on the piano jazzman with music tailormade to chilling by the fire. One of the best selling Christmas albums of all times, it’s made up of a mix of standards and remakes with a jazz tinge.

The Vince Guaraldi Trio don’t rock, but definitely swing A Charlie Brown Christmas.

Charlie Brown and his friends were very popular from the fourties through to the nineties. There were movies, the regular cartoon strips, and merchandising, Charlie Brown and Snoopy were everywhere. The characters in Charlie Brown were flawed, sweet, selfish and funny. They had human stories that touched on simple truths. Guaraldi with his jazz roots was a natural to do the soundtrack

I’m a sucker for the little drummer boy and the version that’s here is a killer. Have a listen I can’t really do it justice with words. It puts me in a happy place.

Released
1965, re-released 2006

Lyrics
Instrumental mainly piano, bass and drums, but on a few of the tracks there is a sweet little children’s choir.

Mood
Happy and festive you can’t go wrong with this little number. It’s a really sweet piano album that makes me feel calm and happy. It’s also better than your average Christmas album.

Good to work to
Definitely great for work, but maybe ideal for more contemplative tasks. Very calming, at least for me.

Like
A cross between a Christmas album and a soft jazz album.

The Artist/s
Vince Guaraldi was a jazz groover putting out a steady number of jazz recordings and soundtracks from the 50s to 70s. It’s all chilled music. He reported chest discomfort to his doctor who advise him he had nothing to worry about. He died unexpectedly of a heart attack.

Jerry Granelli – drums
Vince Guaraldi – piano, Hammond organ, arrangement
Fred Marshall – double bass
Additional musicians
Colin Bailey – drums on “Greensleeves”
Monty Budwig– double bass on “Greensleeves”
Children’s choir of St. Paul’s Episcopal Church in San Rafael California.

Other works
Although of a totally different genre, this is a commercial album commisioned by the Coca Cola company, just like LCD Soundsystem‘s cracker album  45:33 was commisioned for Nike. Maybe they both paradoxically felt free of commercial constraints when they made their album.

Guaraldi has stacks of other albums like this one below, but I’m not enough of a connossieur to recommend anything in particular. Much as I don’t like to do it, but how about you listen to his best of and see what tickles your fancy.

Where Can I buy it, and in what formats
You can get this album most places. It was such a popular album that it has ensured it stayed in print. Of course you can also get it digitally on iTunes. I really like this album, but maybe I’m just sentimental.

The Verdict
Thumbs up, buy it.

The Lidaju Sisters – Mother Africa

The Lidaju Sisters transmit beauty of spirit, and quiet euphoria with this album. I couldn’t believe how cool Mother Africa was on first listen. The sound of the traditional African percussion is quite unique and grabbed me immediately. Laid over the top of this are some beautiful slow and tuneful African harmonies. I had only heard the first and last album by the sisters before this so expected something more up-tempo.

I like albums where I don’t understand the words, it helps me not get sucked in to listening to them. The Lidaju sisters sing from the heart, there is one track about their mother, story-telling, the moon, pleas for peace and understanding in the other tracks. One song is about the ‘two-faced people’ who had criticised Taiwo Lidaju for having had a relationship with a white man – otherwise known as Ginger Baker of fame from supergroup Cream.

The context of this album is a thriving male-dominated Nigerian music scene, where civil war in Biafra 1967-70 was still fresh. Usually over-shadowed by their cousin Fela Kuti, the sisters could hold their own and are experiencing a latter day renaissance amongst music fans. Have a listen, it won’t take more than ten seconds to tell if they’re your jam.

Released
1977, rereleased by Knitting Factory records in 2011

Lyrics
Yes but not abrasive so quite calming. Unless you are going to learn Yorubu it’s not going to be too distracting.

Mood
Very chilled out and soulful with lots of African traditional percussion.

Good to work to
A big thumbs up from me, a good one when you need to get back down to earth.

Like
They are most often talked of in light of their second cousin Fela Kuti and the other male artists of the seventies Nigerian heyday, but I would say they have their own thing going on.

They are different to the other African artist I feature on this site Ladysmith Black Mombazo. However there are some similarities as both albums are rooted in great vocals and earthiness, but they are still quite distinct. They might be worth giving a try though if you like this one..

The Artist/s
Kehinidi and Taiwo Lidaju are and were living in northern Nigeria when they recorded this album. They performed with many of the stars of their era in Nigeria including a touring Ginger Baker. After their seventies hey day they moved. In the eighties they moved to the United States where Kehinde fell down a set of stairs and suffered spinal injuries. The injuries took the wind out of their sails and I don’t know of any later releases from the sisters.

Kehinidi and Taiwo Lidaju – vocals
Biddy Wright – (arranger) guitars, talking drums, and shekere

Other works
The Lidaju Sisters recorded only four albums at this time, and I think they all have their own unique sound. Danger from 1976, Mother Africa in 1977, Sunshine in 1978, and Horizon Unlimited from 1979.

I only have Sunshine and Mother Africa and they are very different in style. Sunshine is more experimental, but not as good an album and definitely not one for everyone to work to. I have heard some tracks from Horizon Unlimited and Danger, but haven’t heard enough to say whether they are good to work to, but the tracks I heard sounded great.

Where Can I buy it, and in what formats

You can get this on iTunes but for some reason I had to search for Mother Africa, instead of by the Lidaju Sisters to find it when I searched in iTunes, I assume it won’t take them long to fix this. This was re-released on vinyl in 2011 by Knitting Factory Records and you should be able to track it down on the web.

The Verdict
Yes, yes, yes. I think this album will work for most people as a work album. I love it.

Lemon Jelly – LemonJelly.KY

Lemon Jelly – Lemonjelly.KY
This is a light and fun electronica album pefect for bopping along to when you want to write. It’s also great album to bop along to while you’re cooking your dinner or even feeding the cat.

LemonJelly.KY was the first Lemon Jelly album, and is a mix of the first three EPs they released.

The thing that grabs you first about Lemon Jelly is the unique cover design. It’s no surprise that one half of Lemon Jelly is a graphic designer. You just want to play it when you see the brightly coloured looking cover which perfectly matches the music as well. It carries a real lightness about it.

It has been sampled and used in various soundtracks (Including one of my all-time favourite TV shows, SPACED) but this album works for anything.

Released
2001

Lyrics
Samples are used but it’s not a lyrical album. Sampes range from such great lines as ‘what do you do in the bath.’ Other songs like ‘the Staunton lick’ are pure instrumentals that work. One of my favourite’s Nervous tension uses samples from a South African psychologist’s album for relaxation.

The lyrics are of course quite incidental, so you will never have to worry that they will overwhelm you.

Mood
LemonJelly.KY and basically all of the Lemon Jelly music is great for doing anything. I don’t know anyone who doens’t feel lifted after they listen to Lemon Jelly. It doesn’t take over, but it definitely lightens everything up which is a good thing.

Good to work to
A very light album that works for everything.

Like
Upbeat house groove, and more generally electronic music. Obviously I’d say Lost Horizon the album by Lemon Jelly that came after this is in the same vibe, the other later albums (called 64-95) went in a more up-tempo direction, that is great but is not as friendly, which may be more helpful for wrinting. I’d say if you like this one,  definitely get lost horizon. It’s great.

I hesitate to compare this album with much else, as it has a real happy house, summer sound to it more than a particular musical sound.

The Artist/s
Lemon Jelly is Fred Deakin and Nick Franglen. They are both from London, and were in the same crowd without ever being mates until ten years later. Deakin started a graphic arts company and DJ’d, while Franglen worked as a landscape gardner then as a studio programmer for some big acts (n.b. no idea what a studio planner is).

There early Eps went well they got picked up by a label and discovered people really liked their music. The first album in 2000 was Lemonjelly.KY, the second was this one, followed by 64-95 which is music using samples from each of the years. They decided to have a break in 2008, and their website says they’s be coming back.

Other works
Lemon Jelly’s later album Lost Horizon fits in the same mould, and just as good. There other major album is called ’64 to 95’ an album that is great but has a very different feel to this and Lost Horizon. I will have to have a think about whether or not I would put it in this category of good work albums, but  don’t think it will make it.

There is one extra piece I would recommend which was a kind of sampler mix tape they put together. My lady friend happened to get a copy of when she met the graphic designer for there albums at a conference. I never found out what it was called and it’s more a party album than a writing album, but it is also great.

Where Can I buy it, and in what formats
You should be able to get this album on CD and as MP3 most places. I did at one stage search for it on vinyl, but this is another of those rare treasures that don’t last long on vinyl and are a gazillion dollars second hand. At this stage I don’t think it is going to be repressed any time soon.

The Verdict
Another album I absolutely love. It is very easy going and light. Certainly not the album I’d use to listen to for every type of running.

The Fantastic Expedition of Dillard & Clark

The Fantastic Expedition of Dillard & Clark – Gene Clark and Doug Dillard
One of the first bands to combine bluegrass rock n’ roll and east coast hippie idealism, this is one great band. This album is smooth and fun, with classic songs and great grooves, with none of the sacharine that makes country indigestible. It maintains a steady pace that keeps my fingers tapping over the keyboard.

The vibe of the entire album is relaxed fun bluegrass fingerpicking good times ho-down music.

This is a significant album in the history of country rock, and is played on by a who’s who of country rock royalty, Byrds, Eagles, and Flying Burrito Brothers. The fact that Gene Clark, Chris Hillman, and Bernie Leadon are some of the all time fantastic song writers of the country rock pioneering generation doesn’t hurt either.

I can’t quite describe the happy little rythm bluegrass/rock has, but this album has it in spades. It is an easy high tempo pitch that keeps you moving along and I find my words move along at the same pace.

This has nothing to do with the quality of the album or the speed with which you can write to it, but if you want to listen to the most rootin tootin, cool album you’ve ever heard… And as for that album cover it is so funny, two of the coolest looking hippie bluegrass wildcats in a cool motorcycle and sidecar. File this under unbelievably cool, and indeed fantastic.

Released
1968

Lyrics
Yes

Mood
Relaxed and easy. Country bluegrass.

Good to work to
If you don’t like bluegrass you’re going to hate it. I like Bluegrass a little bit, and I like country rock with good lyrics, so this is metaphorical music to my ears.

Like
This album is a bit of a cross between classic bluegrass and the country rock later popularised by Gram Parsons and the Eagles. Bernie Leadon who featured in this line up not surprisingly was in a key member of the supergroup the Eagles.

The only thing I’ve put up so far (although I hope not the last) that would compare is some of the Bluegrass, including will the Circle remain Unbroken. That album is more old school but has the same uptempo bluegrass feel.

The Artist/s
Gene Clark has the curious distinction of only ever lasting for one album with any one record label before being dropped for wilful, drug fuelled, or erratic misbehaviour. He gained fame in the Byrds and with ex Byrd Hillman. There are numerous books about his Clark’s life, with one of the funniest anecdotes coming from many years after the release of this album. He took his kids to see orginal Star Wars then to grab some fast food afterwards. In the fast food joint Mark Hamill (Luke Skywalker) happened to pop in and seeeing Clark was star struck, while Clark’s kids were star struck over Hamill. So while a washed up alcoholic in the twilight of his career at the time, he was the dad who got Luke Skywalker to hang out with them, bumping up his kudos considerably.

Doug Dillard was a bluegrass hero in his ex band the Dillards. He was just the kind of hard living rebel to match wits with the erratic Clard.

Bernie Leadon was to gain fame as a founder member of the Eagles. A killer song writer he co-wrote and filled out this band of future country rock royalty.

Chris Hillman and Sneaky Pete Kleinhow were both to gain fame as part of Gram Parsons, Flying Burrito Brothers. They wrote a lot of timeless songs.

Michael Clark and Chris Hillman were also famous ex members of the Byrds.

Featured artists on The Fantastic Expedition of Dillard & Clark

•    Gene Clark – guitar, harmonica, vocals
•    Doug Dillard – banjo, fiddle, guitar
•    Bernie Leadon – banjo, bass, guitar, vocals
•    Chris Hillman – mandolin
•    Sneaky Pete Kleinhow – pedal steel guitar
•    Jon Corneal – drums
•    Michael Clarke – drums
•    David Jackson – bass, piano, cello, vocals
•    Byron Berline – fiddle
•    Donna Washburn – guitar, tambourine, vocals
•    Donald Beck – mandolin, fretted dobro
•    Andy Belling – harpsichord

Production
•    Producer: Larry Marks

Other works
In terms of a famous band going off in a hundred different directions  this is the one you’d start with. Take your pick Leadon went off to the Eagles. You can go back in time to the Byrds and their extensive back catalogue. You can head for the Flying Burrito Brothers Gram Parsons famous country rock band. If you want to delight in Bluegrass then head in the direction of the Dillards.

For mine although not neccessarily the best for writing I would mine the extensive Gene Clark back catalogue. He recorded extensively and has some fantastic albums such as the classic “No Other.”

Where Can I buy it, and in what formats
You can get this anywhere (online) digitally and on disc, although it’s a bit harder to find on vinyl.

The Verdict
For me this is a staple of any collection. Especially for any collector of country rock or Bluegrass. It’s great music that is both cheeky and fun.

Franz Liszt – Years of Pilgrimage

Franz Liszt – Years of Pilgrimage (Annees de pelerinage)
Whenever Haruki Murakami mentions a piece of music in one of his books, interest and sales in that music spikes. He usually picks music with emotion and drama, and years of pigrimage is no exception.

Lizst’s Year of Pilgrimage was referenced within, and in the title of, Murakami’s latest book Colorless Tsukuru Tazaki and His Years of Pilgrimage, released in english translation in 2014. Murakami name checks these three piano suite’s and in particular Le Mal du pays, a piece from the Swiss suite.

Lizst’s The years of pilgrimage was originally titled with reference to a novel by Goethe, Wilhelm Meister’s Journeyman Years, which was originally referred to the years of wandering in the title.

Lizst’s work came from the period of the romantics and is full of tracks dedicated to famous people of the time like the Emperor Maximillian, references to works by other artists such as Byron, Petrach, artworks by Raphael and Michelangelo, Dante, biblical quotes, family members and nature. Despite the works not straying from piano they encompass a scope of emotion and thinking prevalent at the ideas. His fields of reference point to a well educated man with exposure to the best art and literature available at the time.

The three pieces contained have drama, and different moods having been written over four years.

Released
1838

Lyrics
No lyrics just lots and lots of piano

Mood
There is a real dramatic sweep to the different pieces of music in these suites. It drags me along, but as the three suites were written over two or three years there is a range of moods , which is good for writing.

Good to work to
I find the range of emotion and pace contained in the years of pilgrimage to be perfect for my writing. When I write I go through periods of pace and others of reflection. The music takes me away from the distractions that surround me, and can drive me on when I’m writing. I don’t always stick to the pace of the music, but if I’m not feeling inspired the different pace points can kick start me. Once I get into a bit of a flow I’m often oblivious to the music, but when I stall I can lean on its rhythm to get me moving.

Like
I’m not an expert in classical music so you’re on your own. Haruki Murakami is a fan of dramatic classical music and one of the others he name checks that I find works for writing is Janacek’s Sinfionetta. The Sinfionetta is perhaps a more dramatic work, with horns and a full orchestra, but they both work the same way, going through a range of moods and great to work through.

The Artist/s
Franz Liszt (1811 to 1886) is one of the big guys of classical music. He was a Hungarian composer, conductor, and mazing pianist. He learnt from Saleri in Vienna and through him got access to Hungarian and Austrian aristocratic circles. In those days they were the best paying clients. As with many famous composers of the day he would tour the European courts. He was a superstar of the day and hung out with the leading artists of the day like Heinrich Heine, and Victor Hugo. He had a life full of glamour, affairs, and celebrity, to the extent his fame was called Lisztomania.

Unlike many others in his position he was able to wind down from performing and concentrate on composition. He was a patron of other artists like Wagner

Other works
Liszt was a prodigious composer. He was a working musician and was singing for his supper. I could keep writing in this vein, but I have no idea. Instead I’d refer you to some other classical works Murakami recommends, or some other classical music that works for writing.

Where Can I buy it, and in what formats
You should be able to get this in most formats. Murakami makes the point that like most classical music the performer effects the performance. If you’re after the particular version that Murakami mentions which is performed by Lazar Berman.  Later on he mentions another performance, and like all classical music there are different styles of performance and they’re all pretty good.

The Verdict
This is a great piece to work to. It picks you up and then moves through the emotions. There are three suites so you can pick what works for you or listen to all three.