This is a light slice of dance electronica which is a tonic for the soul. It shimmers and grooves, and although others may dispute this definitely a case where the sum of the parts is greater than the individual pieces. Although many of the songs are sombre the overall mood of the album is upliftting, feet tapping perfect for deadlines or when you want a lift.
This was an unlikely and uplifting collaboration between Ben Gibbard vocalist for Death Cab for Cutie an Indie band, worked with electronic musician Jimmy Tamborello who is known as Dntel. A back and fourth exchange of sending each other CD’s as one then the other would cut paste and add either vocals, drums, harmonies or other instruments, cutting and posting and trading ideas and finally finished things. This exchange via post gave rise to the name The Postal Service.I’m not sure whether it came as a surprise when the US Postal Service tried to get them to can the band name, but a settlement was reached including them playing at a conference.
In the early to mid noughts this was one of the albums that was playing in every coffee shop in Newtown. I can almost equate this music to coffee, the light buzz and rush of energy it gives you, queue end of coffee analogies as it doesn’t give you bad breath or make you anxious if you have too much of it
Yes, the whole time, but they are beautiful, light male vocals.
By turns melancholy and uplifting, a perfect meld.
Good to work to
Great when you need something breezy and by turns melancholy. The constant beat means your word count won’t falter and you’ll keep knocking out the words.
If you like this I’d also recommend the Shins, a great pop band who released a lot of great music at the time.
Ben Gibbard vocalist for Death Cab for Cutie an Indie band, worked with electronic musician Jimmy Tamborello who is known as Dntel. Jenny Lewis from Rilo Kiley also does backing vocals, as does Jen Wood, while Chris Walla plays piano on one track.
Perhaps the reason why the Postal Service is so delightful is the different approaches. Gibbard and Tamborello were the main players on this project. I have no idea why they haven’t followed up on one of the most popular albums their album Sub-Pop have put out.
Believe it or not they haven’t released anything else, well not unless you count the EPs they released that feature cover versions of some of their best songs by other indie darlings Sam Beam aka Iron & Wine and the Shins.
I can recommend Dntel although I’m not as big a fan of Death Cab for Cutie, but that is of fourse entirely subjective as Death Cab have many die hard fans.
Where Can I buy it, and in what formats
This has been repressed a few times now. A pop masterpiece. I’d go vinyl because that’s my favourite, but you can get it everywhere and of course on iTunes.
Hurry you need to buy this album immediately. It is liquid energy, but not in a distracting way. Liquid energy that lets you keep on moving.